A Working Man

r96sk 3/28/2025 7:45:48PM 8.4

<em>'A Working Man'</em> is imperfectly very good. I do have a couple of issues with it, but all in all I have to say that I did enjoy this to a fairly strong degree. Jason Statham seldom disappoints in an action thriller, I'm a fan of his so was always likely to get the required fun out of this. Statham is great, naturally without him the movie would be vastly less entertaining. Away from the former British diver (still can't quite believe that's the same guy!), there are too many characters - which is one of the issues I have. There didn't need to be so many peeps in this. Even so, those onscreen are all decent enough and none register as overt negatives in my mind. David Harbour does well in a small role, he usually speaks the same way in roles but this feels minorly different. Michael Peña and Arianna Rivas are solid, as is Jason Flemyng. The latter's character should've be the only bad guy in this, or at least one of a few. He gives enough that we didn't need anyone else in my opinion, especially as 'higher-ups' Andrej Kaminsky and Maximilian Osinski give weaker performances. Chidi Ajufo is the best of the rest. My other issue lies with the run time. I guess with so many characters it did need to be almost two hours in length, however you could've told this story within 90 minutes without a doubt. But again, as noticeable as that and the other issue is, it at least doesn't hinder much for me.

Dean 6/21/2025 4:54:16PM 8.4

Was really good. Jason's movies never disappoint.

CinemaSerf 4/5/2025 6:35:38PM 8.4

Well if you just thought Jason Statham was going to make a movie about the dangers of the construction industry then the first few scenes will put you straight and give a clue that his past is altogether more violent. That is going to come in handy when the daughter of his boss is kidnapped-to-order by some people traffickers and he is, initially reluctantly, drafted into track her down. With consummate ease, he sets about his task facing down some of the menacing Russian brotherhood who rule the roost supplying girls, drugs and booze to whoever can afford to pay! Can he find the girl? Will the sun come up? There’s not the slightest hint of jeopardy to any of this derivative outing for a star whose usual charisma has been left in his Winnebago. It’s got bits of “Die Hard” (1988) mixed in with, I thought, that Clint Eastwood “Cry Macho” (2021) affair plus the seriously camped up pairing of Jason Flemyng and Maximilian Osinski to make sure that any scintilla of credibility was well and truly throttled after about fifteen minutes of this repetitive and predictable drama. Sylvester Stallone had an hand in the writing - I suppose someone had to put the full stops in the script, and David Ayer shows little, is any, flair as the thing lumbers along for what seems like a lot longer than two hours. Let’s hope Jace isn’t going down the Bruce Willis boulevard of broken dreams here, and doesn’t make any more duds like this.