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Nicolas Roeg
Director -
Anthony B. Richmond
Director of Photography -
Si Litvinoff
Executive Producer -
Paul Mayersberg
Screenplay -
David James
Still Photographer -
Walter Tevis
Novel -
Graeme Clifford
Editor -
Richard Graydon
Stunt Coordinator
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CinemaSerf 1/2/2023 1:12:25 PM
Very much a vehicle for David Bowie, this is otherwise a rather derivative and unimaginative story of an alien ("Newton") who arrives on Earth, naked and penniless. He is tasked with trying to find a way to save his own doomed planet, but quickly discovers that he has skills! He can make money, and money buys nice things; it buys nice sex; it gives him power... All of these pleasures distract him from the purpose of his visit. Can he refocus? Well his infatuation with "Mary-Lou" (Candy Clark) isn't helping, nor are those around him - "Bryce" (Rip Torn) amongst them - with their own rather parasitic agendas, and his own character undergoes quite a few transformations as his exposure to the Earth and all of it's frequently conflicting moralities presents him with quite a few challenges. To be perfectly honest, I was rather bored with this. It offers us a smorgasbord of humanity with little context or character depth. Bowie is attractive to look at - sometimes - but really isn't much of an actor and at over 2¼ hours long, the plot had little option but to recycle itself - in various thinly disguised guises - just once too often for me. Stomu Yamashta's score is heavy overused, I thought, and by the end I really wasn't so very bothered whether or not he succeeded. As an observation of 1970s priorities, aspirations and excesses, it is quite illustrative I suppose, but as a film to see on a big screen it is really nothing at all to write home about, sorry.
Rip Torn
Nathan BryceDavid Bowie
Thomas Jerome NewtonBuck Henry
Oliver FarnsworthCandy Clark
Mary-LouAdrienne La Russa
HelenBernie Casey
PetersClaudia Jennings
Peters' WifeJackson D. Kane
Professor Canutti