Salem's Lot

Dean 3/22/2026 4:33:17PM 8.4

Salem's Lot (2024) is a sleek and refreshing return to classic vampire horror that successfully captures the eerie atmosphere of Stephen King’s small-town Maine. Unlike many modern adaptations, this version maintains a brisk, engaging pace that keeps the tension high from start to finish. The 1970s aesthetic is visually striking, using shadows and cold tones to create a genuine sense of dread as the vampire threat slowly consumes the town. The film excels with its creature design, featuring glowing-eyed vampires that feel far more menacing than typical genre fare. Lewis Pullman leads a capable cast that brings grounded energy to the survival struggle, making the stakes feel real. It is a stylish, well-executed horror experience that honors the source material while delivering a much more energized and polished narrative than previous versions.

r96sk 10/11/2024 3:51:42PM 8.4

Overstays its welcome and isn't as interesting as it could've been, but what's there is still serviceable. I really enjoyed the cast, I think every member does a neat job - without that being the case, I'd probably be rating this film a touch lower. Lewis Pullman leads events well, while Makenzie Leigh, Alfre Woodard and Bill Camp are able supports. The kid actors are solid as well, the standout evidently being Jordan Preston Carter. Good to see Pilou Asbæk, too. As noted at the top, this does overrun. It felt a fair bit longer than 113 minutes, a more fitting run time may have worked wonders. I did like how, aside from the obvious, no cast member had major plot armour, admittedly one of the young ones does seem a tad overpowered in regards to what he achieves throughout. All in all, I'd consider <em>'Salem’s Lot'</em> a narrowly passable horror flick.

kevin2019 10/11/2024 2:08:30AM 8.4

"Salem's Lot" is a well paced and perfectly watchable film that often manages to strike out on its own with a considerable degree of success. However, it proves to be a different matter entirely when it tackles the more spooky scenes which had the hallucinatory quality of a fever dream and made the original such a compulsive and memorable viewing experience. It recreates each one of these scenes, but with considerably less effectiveness (this is in large part due to the noticeable absence of Harry Sukman's superb music to magnify and intensify them) and as a direct consequence of this the scenes in question - Marjorie Glick on a mortician's table rising to join the undead, Mike Ryerson returning from the dead and so on - lack the necessary fear and tension in this latest incarnation which just confirms that Tobe Hooper's version of "Salem's Lot" (1979) is still the ultimate in terror.