Discover
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Aránzazu Calleja
Original Music Composer -
Galder Gaztelu-Urrutia
Director -
David Desola
Screenstory -
Pedro Rivero
Screenplay -
Jon D. Domínguez
Director of Photography -
Carlos Juárez
Executive Producer -
Haritz Zubillaga
Editor -
Ángeles Hernández
Co-Producer
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Kamurai 6/23/2021 3:58:41PM
A fantastic watch, will watch again, and can recommend. This is a survivalist movie, heavy with philosophy of morality. A lot of the time when I get to say anything close to that, I get to say, "but there is humor too", there is not: not traditional humor anyways. This is a dark movie filled with metaphor and cruel reality. Now while I am usually offended by reality encroaching on my escapism, that is normally when I'm trying to watch dirt humor. When to take a concept like this, the relation to reality only strengthens the movie. "Those above, and those below" is something to think about, and if that intrigues you or you're already onboard for a philosophical discussion of anti-hierarchical class society structure, or intrigue by the idea that it doesn't matter who or when someone is in the class structure: it defeats the society just by being. The production value is minimal but sufficient, and I think that is by design. It does live in the land of bad dubs, but not enough for me to fault it. Give this a shot: you might be surprised at yourself or your company.
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Alunauwie 8/31/2025 4:13:08AM
The Platform (2019) explores wealth inequality through a brutal vertical prison system, symbolizing human greed and survival instincts. Director Galder Gaztelu-Urrutia uses minimal sets enhanced by visual effects to create a dystopian environment that reflects social critique. Cannibalism and violence serve as metaphors for selfishness in a harsh hierarchical society. The story centers on Goreng’s transformation from indifference to moral awareness, driving the emotional core amid external and internal conflicts. The prison’s vague origin adds to the unsettling atmosphere, while tension escalates through psychological struggles and inmate interactions. The narrative is tightly paced with layered symbolism at every level and encounter. The film ends with a strong twist that underscores themes of solidarity and change, supported by intense performances and immersive visuals. Cinematography, sound design, and color composition reinforce the disturbing yet meaningful tone. Though some mysteries remain unresolved, the film stands as a gripping psychological thriller with a sharp social message—and for Indonesian viewers, Goreng’s name adds an amusing extra layer. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)
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Shumafuk 6/23/2021 3:58:35PM
A violent form of demonstration of the problems of capitalist society. Despite the fact that the level of violence is too much for me, I understand purpose of it for narration. Actually I find this film quite spiritual. The parallel between Jesus and Christian values is quite obvious.
Eric Goode
Mr. BrambangIvan Massagué
GorengZorion Eguileor
TrimagasiMario Pardo
Baharat's FriendAlexandra Masangkay
MiharuAntonia San Juan
ImoguiriZihara Llana
MaliAlgis Arlauskas
Inmate #1