Hamilton

schengenshowdown 11/30/2025 5:55:05PM 8.4

people just hate to hate man im not from america so idk much abt this a. hamilton thing but the songs are good the writing is good EVERYTHING IS GOOD imo idk why theres so much disappointment. its probably cuz its in the wrong category but still i dont see why people have to rate it <50% its so peak and yes i am 10 years late who cares. the vocals were AMAZING bro and ive seen the reviews abt how this is quote "not built for people outside of america" BUT thats def completely false im from a whole nother continent and i personally think this is the best thing ive watched in my whole life. im not glazing or maybe i just have really bad taste lol the acting wasnt even that bad idk why people are SO pressed

badelf 11/22/2022 2:09:19PM 8.4

If you didn't know going in, this isn't either a film or a TV show. It's a recording of the Broadway play of the same name. Admittedly, this play is for Americans who already have some idea of history. That probably excludes the younger generations, since the public school systems have gone south with years of Republican under-funding. (Seriously, some teachers make less than burger flippers.) As a stage actor and a history buff, I loved this play and am so sorry I didn't get a chance to see it on Broadway. There are multiple reasons I gave this a nine, the major of which is that I'm rating it as a play, not a film. First, I was blown away by the creativity. There is no spoken dialogue which is unusual for a musical. Second, it's done nearly all in hip-hop/rap, with one set-piece even in slam battle. The staging is great. Kudos for creative use of a turntable. I was blown away by the amazing, seemingly complicated, "rewind" scene. Yes, it may or may not be historically accurate. (History, or "his-story" is written by the victors, isn't it?) It's good story telling. It's political. It's fun and it's touching.

Peter McGinn 6/23/2021 3:58:42PM 8.4

I suppose this movie was behind the eight ball from the very start in a way. On the one hand, there was such a tremendous hype for it as a play, it built the expectation of being blown away, and on the other hand, it being presented in its live theater version made it lose some of the visual impact of seeing it in person. We expect a greater production value on the screen. The story is great, and should be required viewing for children at a certain age. I confess, I wasn’t enthralled by it as a musical. I guess I am too used to musicals that have regular dialogue broken up by songs rather than continuous sung dialogue. If there had been dialogue surroundIng eight or ten lovely songs like Helpless, I would have given it top marks. It is still an impressive production. I feel I have to comment on the diverse cast. I am white and had no problem with the cast choices. I would have cried foul if they had presented an all white cast as some seem to think was required. I had an acquaintance complain, “What if they cast a white actor as Martin Luther King? And all I can do is flip it upside down. There are only a half-dozen people of color in our history books for every hundred Caucasians, and if it reaches the point where whites stop whining when people of color play those roles, I am convinced that people of color will be totally fine with whites playing the roles of people of color. But we aren’t there yet, are we?