The Naked Gun: From the Files of Police Squad!

Nutshell 6/23/2021 3:58:24PM 8.4

One of the funniest and most politically incorrect movies ever made, and yes it's more than a bit crass... The laughs come rapid-fire and never let up for an instant. Leslie Nielsen is brilliant, and within 15 minutes or so you feel you know Frank Drebin inside and out. The supporting cast is also excellent, notably Ricardo Montalban and Priscilla Presley. There are too many hilarious scenes to even think of listing here, but unless you are easily offended, you are guaranteed a great time with this one. Be sure to seek out the 2 sequels, as well as the ill-fated TV series Police Squad, which inspired this comic masterpiece.

r96sk 6/9/2024 11:24:31AM 8.4

<em>'The Naked Gun: From the Files of Police Squad!'</em> is very well done. Amusing viewing! Leslie Nielsen kills it in the lead role, I hear that Liam Neeson is doing the remake next year and, you know what, I can see it. O. J. Simpson and Priscilla Presley are quite the interesting other cast members, while George Kennedy is a good fit for his role alongside Nielsen. Ricardo Montalbán works well too. I do like this sorta dry slapstick comedy, where the gags are constantly scattered throughout without being overtly pointed out by those onscreen. I also prefer this to "ZAZ"'s work from eight years prior in <em>'Airplane!'</em>, I'd say this one has better humour and a better story to accompany it. I hope the sequels were as good!

kevin2019 10/18/2024 2:15:28AM 8.4

"The Naked Gun: From the Files of Police Squad!" continues the tradition established by the enormously successful "Airplane!" (1980) and it is a fast paced comedy where the unceasing stream of wacky and off-beat humour works a treat. The filmmakers have turned their attention to cop movies for inspiration this time around and instead of lampooning such films the ridiculous set-piece sequences on offer here are broader in nature and they don't really reference any film releases of the period at all, but this doesn't particularly matter because the vast array of visual and verbal gags come at such a rate you never really have much of an opportunity to analyse whether they hit the intended target or not and a second viewing confirms they really do.