High Fidelity

John Chard 5/16/2024 3:22:10 PM 8.4

What came first - the music or the misery? High Fidelity is directed by Stephen Frears and adapted to screenplay by D.V. DeVincentis, Steve Pink, John Cusack and Scott Rosenberg from the Nick Hornby novel. It stars Cusack, Jack Black, Iben Hjejle and Todd Louiso. Music is by Howard Shore and Cinematography by Seamus McGarvey. Record store owner and compulsive list-compiler Rob Gordon (Cusack), embark's upon a what does it all mean mission when his latest girlfriend leaves him. Cusack and Pink take Hornby's hugely popular novel and redirect it to Chicago, with joyous results. High Fidelity is a tale of human love and a love of music, a sort of battle of the sexes with a soundtrack of masculine life. Rob's voyage of self discovery is highly amusing, the trials and tribulations of relationships bringing out a number of scenes and scenarios that ring true, not just tickling the funny bones, but also tugging the heart and cradling the brain. Away from the doomed love angles it's the music threads that literally strike the chords. Rob and his two co-workers Barry (Black) & Dick (Louiso) worship music and continually indulge in making top 5 lists whilst bickering with sarcastic glee in the process. All three actors are superb, a trio of odd balls bouncing off of one and other with a zest that's infectious, though it's decidedly Cusack's show. A perpetual miserablist who addresses us the audience at frequent intervals, Rob in Cusack's hands garners sympathy, pity and laughs in equal measure. In the support slots is a ream of talent well in on the joke, beauties like Catherine Zeta-Jones (dropping F-Bombs like they are going out of fashion), Lisa Bonet & Joelle Carter are complimented by the comic skills of Joan Cusack, while Hjejle turns in a wily and womanly performance as the girlfriend who kicks starts Rob's search for meaning. Elsewhere the sight of Tim Robbins as a new age hippy type - with a black belt in martial arts - is so much fun it reminds of what a good comic actor he can be as well. As with Grosse Point Blank, another Cusack/Pink production, sound tracking is everything, and naturally given the setting of the story there is an abundance of classic tunes to delight in. All told it's a special movie, for all sexes and for all music lovers, but especially for anyone who has had relationship problems. Now what did come first, the music or the misery? Priceless. 9/10

JPV852 6/23/2021 3:58:49 PM 8.4

Seen this one a few times over the years, still great each viewing with John Cusack in his element, might even argue should've been nominated for an Oscar. I'm not a music fan but still liked that element and features a good supporting cast. **3.75/5**

CinemaSerf 2/8/2025 5:09:39 PM 8.4

“Rob” (John Cusack) is a thirty-something who owns a record shop and is starting to feel a little mortality as he reviews five of the relationships that have peppered his life. That’s not including the two people who clutter his life on a daily basis. Those are the geeky “Dick” (Todd Louiso) and the brash “Barry” (Jack Black) who have been imposing themselves on “Rob” and his customers with their diverse varieties of musical snobberies for years. With this eclectic mix of personalities behind the counter and a dwindling interest in vinyl in front of it, this isn’t a business that’s exactly thriving! It’s his latest split from “Laura” (Iben Hjejle) that’s focusing his mind as he felt more certain she was the one! Mind you, he’s thought that about everyone since his first love as a child at school. Cusack mixes the story up engagingly here with some self-revealing pieces to camera interspersed with the retrospectives of his flailing attempts to attract and keep a woman. He’s got hapless down to a fine art, and his own life is quite aptly associated with the variety of tunes that emanate from his store, suiting his ever vacillating mood. Some of his predicaments are relatable and funny as his courting follows lines that will be familiar, I’m sure, to many of us and are sometimes cringingly close to the bone. I always find Jack Black to be too over-the-top and here he manages to carry that off to the point where his character is actually quite one effectively obnoxious, but that actually works quite well with the quieter Louiso’s “Dick” whose more considered choice of indie music resonated more favourably with me (and other Belle and Sebastian fans). It’s a well paced and written observation of a man facing a crisis of confidence that I think is Cusack’s most natural effort on screen to date.