Discover
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Gary Oldman
Director -
Adam Bohling
Unit Manager -
Ken Tuohy
First Assistant Director -
Luc Besson
Producer -
Douglas Urbanski
Producer -
Barbara Kidd
Costume Design -
Michael Dreyer
Production Manager -
Luana Hanson
Art Direction
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CinemaSerf 5/27/2024 7:22:43AM
It's Kathy Burke who steals this for me with a powerfully emotional characterisation of "Valerie". She lives with her brutish husband "Raymond" (Ray Winstone) and her permanently geared-up brother "Billy" (Charlie Creed-Miles). None of the are strangers to drugs and to booze, but when her husband reckons his wastrel brother-in-law has pinched his stuff, he turfs him onto the streets where here resorts to his own mother "Janet" (Laila Morse) for a bed and a source of cash to feed his habit. 'Billy" is a bit of a thoughtless cretin and his behaviour leads to even more turmoil for his sister when "Raymond" finally flips and she is hospitalised. Believe it or not, this has the semblance of a love story to it. The relationship between "Raymond" and "Valerie" might actually run a bit deeper than that of an impoverished couple struggling through the motions from day-to-day. It's the evolution of that partnership that makes the characters a bit more interesting, but I felt the vitriolic and angry dialogue was mostly just a repetitive series of Anglo-Saxon tantrums and drug-fuelled anger - and that let it down for me. Still, Gary Oldman quite effectively shines a light on his perception of how life on a south east London housing estate is endured rather than lived. It's dark, visceral, condemnatory on many levels and quite a tough watch but Winstone only has one gear and for me and he never really convinces.
Sam Miller
Club ComicRay Winstone
RayNeil Maskell
SchmuddieChrissie Cotterill
PaulaKathy Burke
ValerieJon Morrison
AngusCharlie Creed-Miles
BillyJamie Foreman
Mark