Backrooms

jamesstocks14 6/2/2026 1:34:28PM 8.4

New unofficial Christmas movie unlocked. Far more complex than I thought it was going to be, especially considering it was a combination of trauma based creatures and a touch of sci-fi uncertainty. Overall a good watch, and incredibly impressive from such a young creative mind.

JPV852 6/1/2026 10:47:33PM 8.4

Well, that was interesting. This is a well made horror-drama released by A24 that, to my surprise, nabbed $81 million in its opening weekend. Both Chiwetel Ejiofor and Renate Reinsve give solid performances and while a few moments lost my attention, there are few great scenes particularly towards the end. Don't know where the hype came from but good for this (and Obsession) for capturing the mainstream audiences. **3.75/5**

CinemaSerf 6/2/2026 12:20:27PM 8.4

Hmmm. Perhaps I just wasn't in the mood, but I really didn't get what the fuss was about with this. "Clark" (Chiwitel Ejiofor) is a recently divorced man who has big dreams but who is reduced to running (and sleeping in) his cheap and cheerful "Ottoman Empire" furniture emporium in small town America. The electrics in his store start playing up and upon investigation he is intrigued by a glimmer of light that appears to be emenating from beneath the basement wall! Investigating, he discovers that there is a mysterious portal into a construction that has something of an Escher drawing straight from the mind of Lewis Carroll to it. He tries to explain this discovery to his sceptical therapist (Renate Reinsve) but she thinks he's lost the plot so he engages the help of two of his employees "Kat" (Lukita Maxwell) and her boyfriend "Bobby" (Finn Bennett) to film his next exploration - and that's when they discover that all in this new dimension is not so very friendly. Meantime, his shrink "Mary" makes a visit to her patient's showroom only to discover the same portal. Is she going to be daft enough to walk through the wall into the unknown? There is some attempt made at the end to tie up the spurious threads but for the most part I found this to be really quite a dull and unmenacing affair that is hand-held filmed in a style of "Blair Witch" to try and immerse us in it's mystery but that more often than not relies on increasingly hysterical dialogue and a great deal of beige paint to create some sense of menace. Kane Parsons presided over a decent idea for about twenty minutes, but thereafter is all just fizzled out into a repetitious short-story of a film that I felt was overstretched.