One Battle After Another

Movie Poster
7.43
  • R
Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.
  • Avatar Picture DosAnjos 11/30/2025 5:46:52PM 8.4

    Wow, what a wild ride. You’re constantly on the edge of your seat. If you’re looking for a cozy, relaxing night at the movies, forget it.. your chair will be yanked out from under you. There’s no room for comfort or rest here. It’s masterful.

  • Avatar Picture badelf 12/26/2025 12:10:29PM 8.4

    Paul Thomas Anderson's "One Battle After Another", from Thomas Pynchon's novel, is recognizably a PTA film, yet profoundly different in ways that set it apart from everything he's done before. This is Anderson evolving, and stepping into territory he's previously only circled. For the first time, PTA is blatantly political and urgently timely. He tackles immigration and racism with direct engagement, addressing issues currently tearing through the United States. The "Christmas Adventurers Club," a white supremacist secret society, is openly satirical, bordering on actual humor. This is a radical departure from the subtle, slow-burn treatments of American corruption in "There Will Be Blood" or "The Master." Here, Anderson isn't dancing around the subject; he's naming it, mocking it, dismantling it. This satire isn't just thematic window dressing; it drives the entire plot. The moral lines are far more pronounced than in Anderson's typical work, where ambiguity reigns and characters exist in ethical gray zones. In "One Battle After Another," we know who the villains are, and Anderson wants us to know. The second clear departure is the clean, optimistic, and almost conventional ending. While PTA is known for character-driven scripts that often don't resolve, or only loosely do so, this film offers resolution. Two bad guys die, one by the hand of Willa (Chase Infiniti), signaling her continuation of her mother's revolution. It's hopeful. It's clear. It's decidedly not the PTA we knew. Yet for all these departures, the film succeeds because of its performances. Sean Penn and Leonardo DiCaprio deliver brilliant work, finding PTA's typical wounded, broken, ambiguous characters within otherwise clearly defined roles. DiCaprio especially discovers the satire and humor in the film without ever breaking character, threading a needle between comedy and tragedy that few actors could manage. "One Battle After Another" is Paul Thomas Anderson standing up, speaking out, and proving that evolution doesn't mean compromise.

  • Avatar Picture Manuel São Bento 9/29/2025 7:48:59PM 8.4

    FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/one-battle-after-another-movie-review-a-star-is-born-in-one-of-the-years-best-and-most-important-films/ "One Battle After Another is a technical feat, a movie with brilliant performances and a thematic density that can only be truly processed after multiple viewings over time. It's a chaotic, intense, and surprisingly hilarious examination of the state of America, the weight of history, and how the fight for a better future is passed from one generation to the next. The entire cast is phenomenal, but newcomer Chase Infiniti is a true revelation, delivering a captivating and emotionally powerful performance that perfectly embodies the theme of generational hope. While I don't share the hyperbole generated by the initial reactions, it's clearly one of the most important and well-made films of the year. Driven by a masterful score and a sharp script from Paul Thomas Anderson, where every detail matters, it's a dense story about the battles we cannot escape and the family we fight for. Rating: A-